What takes place can then serve as inspiration for all interested individuals. Performance labs with the artists will give participants the opportunity to pursue their own creative impulses and to present the results to the public in the finale on May 20 and 21. All info about artists>

Why hunger?
Hunger is stimulus, greed, desire. Hunger makes people inventive. How is the hunger for movement, for expression transposed in the creative process? Is it necessary to cultivate hunger in a sated society? How will it influence us?

Workshops for artists and other interested individuals under the guidance of professional artists from the fields of performance, dance, theater. Fixed dates with registration.

for more info and registration to the Workshops>

Blo-Ateliers, Kaskelstr. 55, Berlin-Lichtenberg

daily from 12 p.m. with Stammtisch at 2 p.m.

Open-ended works involving all interested individuals, the performers in the Festival, and the Blo Ateliers artist community. The results of the Lab will be presented on 20. and 21. May in the Blo Ateliers

all info about Performance Lab>

Blo-Ateliers, Kaskelstr. 55, Berlin-Lichtenberg

Haus 1 Waterloo
Waterloo Ufer, Kreuzberg, U1/U6 U-Hallesches Tor

Markthalle IX
Eisenbahnstraße 42/43, Kreuzberg, U1 U-Görlitzer Bhf

Markthalle IX
Eisenbahnstraße 42/43, Kreuzberg, U1 U-Görlitzer Bhf

BLO - Ateliers
Kaskelstr. 55, Lichtenberg, S5/S7/S75 S-Nöldnerplatz

BLO - Ateliers
Kaskelstr. 55, Lichtenberg, S5/S7/S75 S-Nöldnerplatz

Mit der Image Performance "River” entführt uns KoPAS (Korea Experimental Art Spirit) in die innere Welt der Menschheit, erweckt die allen innewohnende Lyrik durch Liebe, Leidenschaft und Freude. Der große Meister des KoPAS Theater, Baek Ki Kim, wird mit dieser ästhetischen Aufführung erstmalig in Berlin zu sehen sein.

Mit Non Grata (Diverse Universe) konnte eines der international renommiertesten Künstler-kollektive gewonnen werden. Die Gruppe tritt weltweit mit ihren "Ghettomaratons“ auf und provoziert durch ihre radikale Ignoranz gegenüber der etablierten Welt der Kunst und den (Massen-) Medien.Non Grata existiert als Performance Gruppe in Estland seit 1998 und ist inzwischen zu einem der international angesehensten Künstlerkollektiven des Baltikums avanciert. Zur Gruppe gehören rund 40 Mitglieder verschiedenster Nationalitäten, die stets im Kontext anonym auftreten.

Invalid Address (Berlin) beschäftigt sich in „You are what you see – Invalid Address“ mit den Überschneidungen und Widersprüchen die durch die Mischung unterschiedlicher Sprachen entstehen: Körper, neue Medien, bildende Kunst, Objektkunst, Konzeptionierung und Theorie.

Sooim Kwon (Südkorea) versucht in „Salpuri VARIATIONS- purification“ Müll zu reinigen, die dunkle Seite der modernen Zivilisation durch die orientalische
schamanische Zeremonie „Salpuri“ zu veredeln.

"Radiosonic Screams“ von Jérémie Pujau (Frankreich) & Frederic Krauke (Berlin) ist eine Performance zwischen Installation, Theater und Konzert. Vier Puppen in vergoldeten Käfigen aufgehängt steigen in den Raum auf, die Bewegungen der Zuschauer schaffen durch ein interaktives Computerprogramm die Soundkulisse begleitet von einer noise/progressive Improvisation.

Für das Festival konzipiert Alfredo Sciuto (Italien/ Berlin) "PRALOONE“, eine begehbare Installation, die ihre pralle und
fragile Form lediglich durch Luftdruck bewahrt.

Yong-Gu Shin (Südkorea) konzentriert sich mit "Embrace the Wind“ auf die Bedeutung der Existenz in Raum und Zeit. Mit den Mitteln Performance, Installation und Medien schafft er Verbindungen zwischen Vorstellung und Realität.

Mit der Performance „no time to lose“ erkunden Ethan Frey & Stephanie Hanna (USA/ Berlin) die Dynamik von Zeit und heben die zyklische Form von menschlichem Verhalten hervor. Gefangen zwischen den gegenläufigen Kräften vom Zwang zur Wiederholung und dem Verlangen auszubrechen, baut sich unter einer scheinbar stabilen Oberfläche enorme Spannung auf.

göttliche samen Franziskaos & Andreas Uehlein (Berlin). In „ROT WIE SCHNEE“ hinterfragen die beiden Künstler wie tolerant der Mensch mit den Wunden ist, die er sich selber schlägt - ob im Organismus Erde oder im Menschen. “Und wie sehr hängt das Publikum am schönen Körper?“

Poul R. Weile & Henrik Pryds Beck (Dänemark/ Berlin) Mit „Out of focus“ entsteht in einem langsamen Prozess ein
lebendiges Bild.

NULLHUNDERTNULLUNDNULLZIG
ist eine Performance von Albrecht Fersch & Gabriele Bocek (Berlin) über Unersättlichkeit, kullernde Happy-Atome, die im Halse stecken bleiben, über leeren Genuss und vollgestopfte Enthaltsamkeit.

"I will go to the light " performance does not mean something, anymore .We just have to do it
SP 38 (Frankreich/Berlin)

Ronaldo Ruiz (Philippines) Er erkundet die Verantwortung der Menschen für die Umwelt und zeigt die Notwendigkeit auf seine Identität aufzugeben um völlig in die Umgebung abzutauchen. Ronaldo Ruiz wurde 2003 vom Cultural Center der Philippinen für seine Bereicherung der
zeitgenössischen Kunst der Philippinen ausgezeichnet.

R. Ruiz + M. Villariba gefördert von

Mannet Villariba (Philippines) erforscht mit OVERLOAD - Seeking Greater Freedom - Sound Visualisierung und reichert so den visuellen Aspekt der Performance an. Durch den experimentellen Ansatz wird deutlich, dass es immer neue und einzigartige Wege gibt Probleme zu lösen. Alternative Quellen und kreative Gedanken sind für Mannet Villariba Möglichkeiten der Manipulation der globalisierten Wirtschaft etwas entgegen zu setzen.

artists guestions and contact point: info@openspace32.de
workshop registration: veranstaltungen@blo-ateliers.de
Performance Lab: spirale1000@googlemail.com

press contact
contact partner for the duration of the festival is Claudia Rische.

rische & co pr
Kottbusser Damm 73, D-10967 Berlin
mail[at]rische-pr.de, skype: rische-pr
tel: +49 30 67928269

NON GRATA Estland contact www.nongrata.ee/ director: Al Paldrok info@openspace32.de

Around the name NON GRATA there have been different hushes and shushes for a long time. Already from the point of view of death of conventionalization of art it has embodied the horrible and unwanted disembodiment of human person, from which the meaninglessness of nowadays art, is pouring out. For those, whose world of arts starts from the point, where the art world ends, NONGRATA has been a liberator, the orphic gap in the seemingly unalterable course, which however betrays us, it is a cure from incest. The main point of the group is ethical - it is the image of primitivism, impersonality and experimental creativity. The performances of the group take place according to the logic of avoiding codes. The presentations are physical texts, whose ways of orthography and reading are kept within limits of real actions by the group members. Aesthetical and provocative challenges are represented in places, where the Art World doesn't work.

NON GRATA exists as a Performance- Group in Estonia since 1998 and became meanwhile internationally one of the most recognized artist collectives in the Baltics. The group has more then 40 members of diverse nationality which interact in their performances anonymous.

NON GRATA performed worldwide sometimes their famous "Ghettomaratons" in bunkers, basements, galleries, museums, Operas, in the wild nature and in the urban space.

The group guides an alternative Art- school: Academia Non Grata, which was from 2001- 2004 official part of the University of Arts in Tallin.
,
Diverse Universe Performance Festival organized anually by NON GRATA since 2005 is a festival which travels it`s ontourage of performance artists from Estonia to all over Europe. The Festival has become one of the most important Plattforms of Performance- Art in Europe, America and Asia

Steve Vanoni USA,
Horsecow.com http://www.horsecow/ www.myspace.com/horsecowsteve
www.facebook.com/people/Steve-Vanoni/1629174459
info@openspace32.de
http://www.newsreview.com/sacramento/content?oid=587534

ART CAR PROJECT

Esspecially for the "Hunger" Performance Festival Steve Vanoni, visual artist and performer, offers the collective ART CAR PROJECT. In Colaboration with other Artists out of an old Automobile becomes a navigable Piece of Art.

What do we need?
A CAR..............
tools: a welder such as a plasma cutter or any kind of welding device is useful.... torch oxy acetylene... we can use clear silicone to glue fix and otherwise adhere objects onto the outside and inside of the vehicle......
we need to gather found objects to glue to the vehicle.... from thriftstores and found objects.... found.....????????????
and what people want to bring to the vehicle as an offering........
Paint is goood.... or great...... wire can also be useful........
and an open imagination.......... and a great team of talented and energetic people
who can make something wonderful, magic and fun.......
these are all helpful in creating a goood or great artcar.............

after this it is ofcourse important to take care of the necessary logisitical details.........
is vehicle registered, insured, needed permits for driving ??????
or will it be stored somewhere to become more of a sculpture and taken out
on special occassions.....?

" I began creating art when I was 3 years old and that is the main reason that I continue to create artwork today. I liked the way creating made me feel; I could forget about myself and simply be there; here, free to work and follow the process to wherever it took me: in the realm of the wonder and the unknown. I have been exhibiting my artworks at galleries for over 30 years. I love painting and consider myself to be one of the great living painters on the planet today; NO _*_*_*_!!!… and I laugh at myself too: as much as possible!!!. You can see some of my paintings and sculpture on this website: http://www.artslant.com/global/artists/show/46697-steve-vanoni .
For the last 7 years I have focused primarily on creating Performance Art both locally and Internationally at Festivals, galleries, Museums, Artist Communities, venues and some street performance in New York City, London, Paris, Seoul, Barcelona, Berlin, Toulouse, San Francisco, Miami, Nowon, Ystad, Malmo, Helsinki, Tampere, Pori, Tallinn, Oakland, the Black Rock Desert, Brooklyn, Cologne, Basel, Sabadell, Brighton, Alytus, Marseilles, Parnu, Vaasa, Riga, San Lys, Sacramento, Davis, Stockton and a few other lesser known cities. Through my collaborations with various Performance Artist Groups I have been fortunate to establish many important and invaluable working relationships with a great network of talented artists that spans the globe.
My local performance art group was known as the HORSECOW BOMB BRIGADE. We began creating our unique brand of public performance art in the Spring of 2004... We performed within the context of Gallery spaces and non-traditional art spaces alike; such as the Black Rock desert in Nevada and some vigilante street actions, attempting to "take the art to the people"..... The HORSECOW BOMBERS was Formed by a small group of like-minded artists, tech heads and pranksters who enjoyed working together on projects that incorporated a piece of technology known as a "Pulse Jet" as a key element into our actions, that were explosive and could be rather conceptually challenging for the viewer...... We remained open to collaborate with artists from the art community and worked with visiting International Performance Artists. Our interactive performance artworks were based in audience participation and were fun to become involved in both as a participant and a spectator.

Arianne Foks Frankreich contact Mail: arianne.foks@gmail.com Web: http://www.asnootyfoksproject.com/   Arianne Foks is a visual and performance artist. Graduated in 2007 from Toulouse Fine Art School, she was resident of the Sichuan Fine Arts Institute in China in 2006, and of the Cité Internationale des Arts de Paris in 2008. She is interested in the presentation of the body as a medium, its relationship to architecture, domestic objects, and its power to engage us, the audience and the performer, in an emotional way through memory or by evocation. Her work questions desire, identity and physical or conceptual displacement. The shift of use of an object creates a shift in her identity.

Her performances are a meeting between body and object, but naturally a meeting with the audience.
Perhaps a love story?
She collaborates with many sound and performance and dance artists from different parts of the world
to enrich her experience and create exchanges In 2010 she presented a serie of performance across
Europe, in Paris, Berlin, Milan, Tallinn, Cardiff...

Travis McCoy Fuller Italien/USA contact mail: brotheroftux@yahoo.com Web: www.tmf.templeofmessages.com

Travis McCoy Fuller is concerned with the multiplicity of layers within his performance practice. These layers operate on many levels, visual, spatial, emotional, psychological, social, etc.. His performances are an experience of a non-linear cultivation of layers, which then, through subjective decoding, create meaning. He is interested in playing with the boundaries between the performer and the viewer. The notion of control enters his work through the process of soliciting volunteers and delegating them tasks. The content of his actions deal with complex and troubling subject matter while avoiding pathos and rhetoric.

SP-38 http://www.sp38.com/

ARTIST? AUTIST! Born in Normandie (F) - Prisoner in Berlin since 1995 !
"Paintslike a Human - COPY- MACHINE"

Uses only 4 colors - BLUE - YELLOW - RED & BLUE
4 MORE SIMPLES MESSAGES - 4 MORE URBAN POESIE IN CITIES - 4 MORE ANTIDEPRESSIVE SPIRIT & MOVEMENT

Principal hobby : Stick hand-made placards in the streets
"SQUATTER LES MURS ISOLÉS, LES VITRINES ÉTEINTES, LE CIEL ??? ”

*Signe Particulier: ne parle toujours pas allemand

Andreas Stadler Cafe Stadler, Boxhagener Str 69, contact@cafestadler.de www.performunion.de, info@openspace32.de 2000 Improvisationstage im Schauspielstudio Langhanke, Berlin 2000 Biomechanikworkshop mit Präsentation, „Gegenwartsirretationen“, mit Philip Brehse, Open Space, Berlin 2001 - 2003 Mitplanung-, Organisation-,Gestaltung- und Durchführung eines unkommerziellen Strassenfestivals, „Mauerstrip“, Kleingeist e.V., Open Space, Berlin 2003 Biomechanikworkshop mit Präsentation, mit Michael Steger im Zusammenhang eines internationalen Strassentheaterfestivals in Stettin, Polen 2003 Kuration des 9. internationalen Performance Kongress im Open Space, mit Theodor de Ricco/ Sotodo e.V., Berlin 2005 Projektleiter einer Veranstaltungsreihe genannt „3.196.000 sek. Mehr vergoldete Zeiten“ Schillerpalais, Berlin Gefördert duch Förderband e.V. und Quartiersmanagement Neukölln.

Performance:
2005 "No more Firmament“, mit Perfomunion, Schillerpalais Berlin
2005 "No more Firmament“, Kunstnacht im Kindlboulevard, Berlin
2006 "Das ist meine Arbeit - allzeit Spielbereit“, Performunion, My Fest, Berlin
2006 Performancefestival: Diverse-Universe2, mit Performunion, Estland
-"Technobia“, Peformunion
-"Teine Tuind – aeglaselt“, Eigenproduktion
-"Noh Performance“ mit Rolls Rolf Langhans
-"The Birds Mistake“ Eigenproduktion
-"Die Trockenschwimmer“, mit Philip Brehse und Michael Steger
-"Kolmas Tuind – perse janutab“, Idee von Andreas Haslinger, Eigenproduktion
2006 "Kurz & Knapp, Klipp & Klar" , mit Philip Brehse, Open Space, Berlin
2005 Performancefestival: Diverse–Universe, Estland / Finnland
-"Die Pest”, Biomechanikworkshop mit Philip Brehse nach Living theater
-"No more Firmament“, Performunion nach Antonin Artaud
-"Ämisinä Tuind - perseauk”, Eigenproduktion
-"The People“, mit Performunion
2006 "007 in Kiki Royale", mit Performunion, Club Kiki Blofeld, Berlin
2007 Open Space Festival of free Arts mit Non Grata, Berlin
2008 Performance Festival Diverse Universe mit Performunion, Estland
2010 "Un-nescessary Repairs" mit Performunion Performance Festival Diverse Universe Berlin
2010 "Der Tragödie erster Teil" Eigenproduktion Out Knocking" Festival, Berlin
2010 "Der Tragödie zweiter Teil" Eigenproduktion Out Knocking" Festival, Berlin

Theater:
2003 "Mit dem Gegenteil arbeiten, oder die zwei Seiten des Herrn Jakob“, Eigenproduktion, Berlin
2004 "The People“, von Jessica Slote, mit Philip Brehse, My Fest, Open Space, Berlin
2002 "Die Bakchen“ von Roul Schrott nach Euripides, mit Arno Kleinofen, Berlin
2006" 24h Theater“, von Gabriel Walsh, „Magerithe“ von Dennis Jeschke alias kikimojo, mit Jack Rath, Berlin
2007 "buffo", mit Philip Brehse, Open Space Festival of free Arts, Berlin - Gastrolle als Papst
2007 Theaterfestival 100° "Zimmer ohne Spiegel" mit Philip Brehse, HAU Zwei, Berlin
2006 "Zimmer ohne Spiegel" mit Philip Brehse, Open Space, Berlin

Kurzfilme:
2000 "Die Weite“ von Till Müller-Edenborn, Berlin
2001 "Bee Brains“ von Till Müller-Edenborn, Berlin

Takita Risa Japan contact risatakita@gmail.com http://vimeo.com/groups/1762/videos/14355305 For a number of years, her work has been centred primarily in solo dance works. However, this work has also acknowledged a wider frame of new performance, performance art, mixed media performance, and Live Art. Many of her performance works have incorporated light as material/media, video, and text. Her solo dance works are often risky, intensely focused, and are highly distinctive and original. They are rigorously wrought and possess a power and internal energy which is both derived from the quality of their formative process, and from the power and performative awareness and understanding of the performer. As a performer, everything is contained and released in the moment.

In her more recent work, the influence of other art and performance forms have been increasingly foregrounded. Her awareness of dance and its aesthetic and historical contexts is highly developed. Through her involvement in contemporary arts practices internationally, she also has a developed a sense of critical understanding and aesthetics in contemporary practice. This she feels a need to consolidate into a critical practice at present, as a means of advancing future work.
Risa is articulate, intelligent, rigorous, and enquiring. This is well evidenced in her own performance practice, and in her articulation of that practice. She is more than capable of study and research at post graduate level. She would bring intelligence, a sense of open enquiry, rigour and generosity to any research project.

I have known Risa Takita as an artist and performer since 2002, participating in a number of events, exhibitions, and performance festivals in Japan, Germany, Poland, and Hungary. Additionally, I have invited her to perform in two Crossing Time International time-based arts events featuring a range of international artists hosted at Dartington UK in recent years.

Crystal Tits Berlin Anna Natt & Jaime Schwartz Mail: annanatt@yahoo.com

The Art of Crystal Tits is a combination of pop- art, feminism, dance, and hardcore handycrafts.
Building stage props is a kee element of their Performances.
The Performance for the hungerfestival "Rogue Vooster" was inspired from the stoic würde von dem stoischen severety of a cock and is performed in a series of accurate stakkato movements
A field of fried eggs, which were created out of found objects, the egg becomes the initial point of personal transition.

Latest presentations of performances of Crystal Tits:
27.02.11 100 Grad Festival, Hau 1, Berlin, Germany
29.10.10 Kunstperformance-Nacht IV, Ballhaus Ost, Berlin, Germany
12.06.10 secondhome/projects temp IX, Secondhome, Berlin, Germany
02.05.10 Diverse Universe International Performance Festival 2010, Berlin, Germany
30.06.09 Fag Bar, Monster Ronson's, Berlin, Germany

Myk Henry Irland/ New York contact M Henry <visualpower@gmail.com>

The artist Myk Henry is well known for his spectacular architecture- performance- Installations,
presented worldwide, at the latest at the 10th.Open International Performance Art Festival September
in Beijing.
A great example of his work is a gigantic, pneumatic flying Condom, which he operated
smothly by remote control through Bankok`s central station durig a fashion fare at the 15th conference
"My belief is that you`ve got to provoke people to get them to move, to get them to change…I use my body as a catalyst to bring about some kind of change in perception. I usually adress social and political issues"
Myk Henry was born in Dublin, Ireland and moved to New York in 1986 where he now lives. Henry was
a pioneer of the New York "immersionist" movement which encouraged the public to discover their
own creative abilities through interaction and physical engagement with the artwork.
In 1994 he moved to Geneva, Switzerland where he lived for 10 years and in 2002 obtained an MFA
from L'Ecole des Beaux Arts de Geneve (the school of visual arts). He has shown work at ARCO in
Madrid, the Museum of Art and History in Geneva, and most recently at the World Expo in Shanghai
and the Museum of Contemporary Art in Vaasa (Finland)". He won " La Bourse Federal", (Young Art
Basel, Switzerland), Le Prix Providencia (Swizerland) and Le prix Contonal Geneva (Switzerland).
Henry works with new media installation, sound sculpture, video and performance. He is on the
cutting edge of these mediums and uses them to engage the public and build a heightened level of
awareness about social stigmas, politics and life. He tours regularly and presents performances in
many well know galleries, museums and festivals around the world.
.

Saskia Edens Schweiz contact saskiaedens@gmx.ch www.saskiaedens.com www.nicolavonsenger.com

1975 born in Genva, lifes and works in Basel
1993-1996 EAD école des Arts Décoratifs, Genf (Diplom 1996))
1996-2002 ESBA école supérieure des Beaux-arts, Genf (Diplom 2002)
1999-2000 Exchange Program Akademie der bildenden Künste, Wien, A
since 2002 member of the artist collective FLEX

A main characteristic of the works of Saskia Edens whether performance, video installations or sculptures is the examination of antagonisms, their inversion, sheer impossibilities and ambivalences. Edens is interested in themes such as time,
transience and transformation and visualizes these processes in a striking and often surprising manner. Her artworks make sounds, time and heat visually perceptible. "I am interested in the elusive and intangible, in all that deprives us of our sight and that defies control. So too in the skeleton of our own body and the continuous metabolic processes of regeneration and destruction, taking place without any conscious intervention."

Alfredo Sciuto Berlin/ Italien, Galerie Gotland ,Gotlandstrasse 5, D- 10439 Berlin, Tel. 030-60956160 www.performunion.de, info@openspace32.de

Born in Acireale, Catania, Sicily in 1968. In 1991, he completed a diploma at the Catania Art School for Interior Architecture, and in 1996, a diploma in design at the Catania Art Academy. He took part in a summer academy and metal workshop with the internationally renowned metal artist Arnaldo Pomodoro in 1997.
Since 1993 he has been creating object collages, light objects and installations. Since moving to Berlin, he has been concentrating on theater and costume design for street theater, minimalist performance and improvisation with a focus on science fiction

Amy J.Klement amy@kraftdurchhaekeln.de Telefon: 0160 956 30 682 www.kraftdurchhaekeln.de

In her artistic work, whether performance, text, or sculptures and installations, she addresses the metamorphosis of symbols and myths, of materials, of language and appearance.
Born in 1968 in New Jersey, USA, she received a degree in Arabic from Georgetown University, USA before moving to New York City and beginning her artistic career as a photographer and costume designer. Since moving to Berlin in 1997 she has been concentrating on performance and on creating metal sculptures using handwork techniques, and has appeared in numerous exhibitions and performance art events both in Berlin and internationally. She has been part of the Open Space network since 1998 and is a member of the Performunion as she places great importance on collective, interactive and intermedial work in which the whole is greater than the sum of its parts.

Jérémie Pujau & Frédéric Krauke www.jeremiepujau.com jeremiepujau@hotmail.fr www.frédéric-krauke.com fredkr@hotmail.com   "Radiosonic Screams" mit Nicolas Petitdan, Bass und mixer Mathieu Sylvestre, Guitarre Valentina Besegher, VJ

Radiosonic Screams ist eine Performance zwischen Installation, Theater und Konzert.
Vier Puppen in vergoldeten Käfigen aufgehängt steigen und steigen immer höher in den Raum auf, Lichtsäulen schaffend, beherrscht von den den Bewegungen eines Marionettenspielers der aber auch gleichzeitig der Gefangene der Puppen ist.
Ein Interaktivers Computerprogramm erzeugt durch die Bewegungen der Zuschauer eine Soundkulisse: Töne, Geklirr, Schocks, Kränkungen.
Jede Puppe hat ein Mikrofon, welches diese Klagen aufnimmt. Die Gitarre und der Baß begleitet sie in einer noise/progressive Improvisation, den sonoren Raum schrittweise sättigend. Kameras filmen die Puppen und ihre Bilder sind auf drei Bildschirme in einer VJ Improvisation projiziert.

Poul R. Weile & Henrik Pryds Beck STUDIO Neue Bahnhofstrasse 27 D - 10245 Berlin Tlf.: 0171 5032 304 Thorkildsgade 16 , DK-5000 Odense C. 0045 20 230 590 www.prweile.dk Poul R. Weile was born in Denmark in 1954, and educated on The Academy of Arts in Odense 1979 - 1984. He has lived and worked as an artist since 1984, in all fields of visual art. The Idea chooses the Material - not the other way around. Poul R: Weile has more big works in Public - and is represented in more museums - around the world. Poul R. Weile is now working and living in Berlin. Art is his life and therefore it is his tool of communication. In his work Poul R. Weile invites to a dialogue - and challenges the viewer to self reflection.

Poul R. Weile has no "style" - life has no "style".

"Art is a way to de-construct its own image".

"When everything in Society is defined - the left-over is ART."

KoPAS (Korea Experimental Art Spirit) Mit Baek-Ki Kim, Kim, YongGu Shin und Sooim Kwon www.kopas2000.co.kr e-mail : kopas02@gmail.com

Mit der Image Performance „River” entführt uns KoPAS (Korea Experimental Art Spirit) in die innere Welt der Menschheit,
erweckt die allen innewohnende Lyrik durch Liebe, Leidenschaft und Freude. Der große Meister des KoPAS Theater, Baek Ki Kim, wird mit dieser ästhetischen Aufführung erstmalig in Berlin zu sehen sein.
>River’ attempts to vocalize human’s mind with messages of love, pray and bless. Various colors and symbolic objets integrate freely with time and space and guide audiences to the ‚mind‘ of Human, the deep inner world of people, by exchanging secret energy with audiences. It will be an arcane and beautiful travel towards the second universe,
a landscape of human heart. It’s an image performance drama that guides us to the world of esthetic by assimilating a ‘river’ to life. It awakens human’s basic lyricism through expressing love, compassion, joy and equanimity of life with an oriental aspect of the world<

Alice Masprone Italien "walking eggs and other stories" www.alice-masprone.de Kontakt: spirale1000@googlemail.com Alice Masprone wurde in Turin (Italien) geboren. Sie ist Bildende und Performance-Künstlerin. In ihrer Performance-Recherche steht der Körper im Mittelpunkt der Spannung zwischen Text und Raum. Dadurch entstehen Situationen, Augenblicke, Bilder, Dialoge, Monologe, konkrete sowie abstrakte Visionen, Infragestellungen, die sich miteinander aufblenden.

"walking eggs and other stories"
site specific Performance with a person, eggs, noises and various situation

In the act of eating the host is violated and justice defeated temporarily. The plate and what's upon it, through the predatory power of the intestinal apparatus, command attention and unifies the spirit, first hypnotizing it, then slowly swallowing it, then masticating it, then absorbing it. The spiritual part of the being passes like a scum, leaves absolutely no evidence or trace of its passage, vanishes, vanishes even more completely than a point in space after mathematical discourse.
Henry Miller, Tropic of Capricorn

göttliche samen franziskaos & andreas uehlein theater göttliche samen dresdener str. 124, 10999 berlin tel. 27 90 88 03, 0163-2331058 www.goettliche-samen.de

.

wundperformance von/mit franziskaos & andreas uehlein

wir schauen tiefer in die persönliche wunde und zeigen sie. was passiert mit mir und den anderen bei meiner verwundung. quellen hierfür sind u.a. ein schwerstbeinbruch von franziskaos im spätsommer 2010 mit folgen, aufnahmen im krankenhaus, die einsamkeit des patienten. unsere selbstheilungskräfte sind geschwunden, die der weißen medizin unserer gesellschaft verfeinern sich - wir bleiben wertfrei.
wir sind fasziniert über die toleranz des organismus, seiner fähigkeit, unglaubliche wunden in sich aufzunehmen und zu überwinden, neue formen des lebens zu finden.
einer trage des anderen wunde/last - wie gut geht das? wie unmöglich, wie kantig ist bewegung mit einem gebrochenen bein, mit alten knochen, einem buckel, wie sehr hängt das publikum am schönen körper, an der exakten gespreizten bewegung?
wir schauen tief in die globale wunde, eine von unendlich, im organismus erde oder menschen, wie tolerant ist er mit den wunden, die der mensch sich selber schlägt? -in dem fall tschernobyl. das kartenhaus ist genial, und der kleinste virus, die kleinte geste zerstäuben es.

franziskaos + Andreas Uehlein arbeiten seit 6 jahren an möglichen erzählenden wie auch sinnfreien bewegungsformen auf der bühne als alternativen zum sprechtheater. sie arbeiten seit 13 Jahren in berliner offtheatern und haben eine breite ausbildung in tanz, physischem theater, improvisation. 2006 initiierten sie das freie theater göttliche samen aus 2 professionellen und 10 autodidaktischen spielern mit verschiedenen beeinträchtigungen. der versuch, physisch mit ihnen zu arbeiten, musste sich aufgrund der starken grenzen der spieler sehr kleinen zielen und minimaler geschwindigkeit anpassen. wichtige "kategorien" sind bewußte Un-perfektion und kategorielosigkeit. dazu entwickeln sie seit 2010 mit ihrer physikalität und ihren non-powertänzer-körpern improvisationen und jetzt rot wie schnee als duett

You are what you see - Invalid Address Jacqueline Tauil, Irene Pascual & Paco Vallejo more info: http://www.invalidaddress.org

Invalid Address is an experimental platform for Performance. Coming from a multidisciplinary background, their work faces the crossovers and contradictions of mixing different languages: body, new media, visual arts, object, concept and theory; giving special emphasis to humor and nonsenses of the human being.

Since 2007 they have performed in different venues in Berlin like Sophiensaele, HAU, and in Spain a.o. at Domino Loop Festival.

Albrecht Fersch www.namenlos.org noname@namenlos.org.

Albrecht Fersch zeigt, gemeinsam mit Gabriele Bocek, NULLHUNDERTNULLUNDNULLZIG
seine Performance über Unersättlichkeit, kullernde Happy-Atome, die im Halse stecken bleiben, über leeren Genuss und vollgestopfte Enthaltsamkeit.
Albrecht Fersch studierte freie Kunst in München sowie Kunsttherapie an der Kölner Schule und kam über das essentielle Theater von Lothar Hahn zur Performance. Er macht außerdem wirrige Installationen, schnitzt Schnee, malt Tanz, leitet Gestaltungswerkstätten, schreibt verschmolzene Lyrik und erforscht den Logorealismus. Er liebt die Widersprüchlichkeit, sucht im Chaos nach Ordnung, verbindet Innen und Außen.

"Slip into something more comfortable"
"Land of milk and honey" Vol. 3
"Get it while you can!"

Ronaldo Ruiz www.ronaldoruiz.multiply.com

Ronaldo Ruiz studied fine arts at the University of the East, Philippines. He was awarded by the Cultural Center of the Philippines as one of the Thirteen Artist Awardees of 2003 in recognition of his significant contribution to the expanding language and evolutionary dynamics of the Philippine Contemporary Art. Awarded by the University of the East as a Distinguish Alumnus and Achievers of 2007 and 2006. The Metrobank Foundation Award for Continuing Excellence and Service (ACES ) of 2009. Two time winner of the Philip Morris Philippines Art Awards in 2000 and 1997. Ruiz was also an artist in residence at Artesan Gallery + Studio in Singapore, 2009 and Artspace in Sydney Australia, 1999 and has presented his artworks in 21 one-man exhibitions in the Philippines, Japan, Singapore, Belgium, South Korea, Myanmar and Israel. He has also participated in group exhibitions and visual performance art events in the Philippines and abroad, including Australia, Bahrain, Belgium, Canada, China, Denmark, Dubai, Hong Kong, Indonesia, Israel, Japan, Macau, Myanmar, Saudi Arabia, Singapore, South Korea, Taiwan, Thailand, Yugoslavia, among others. His works also collected by the Singapore and Macau Art Museum. Ruiz is the founding member of Buklod Sining in 1989 and the artistic director of Tupada Action and Media Art (TAMA) an international action art event held every year in the Philippines.

Nicole Hummel Andrea Loebell-Buch Yorgös Tambaktis Ruth Pulgram Quartett - Bildnerisches Duell Das Duell an sich ist ein konstruktiver Akt. Durch die Aktion der vier Künstler und die Anwesenheit des Publikums entsteht ein Verschmelzen der Zeit. Aber die Verschmelzung der Zeit ist vergänglich. Die Form des Duells lädt die Zuschauer zu teilnehmender Beobachtung ein. Hunger erinnert an die Begrenztheit der Ressourcen, der Materie überhaupt in einer bestimmten Form, an ihre Umwandlung und Veränderung. Die Performance Quartett - Bildnerisches Duell nutzt diesen Prozess der Veränderung

Nicole Hummel schreibt, tischlert und musiziert in Frankreich.
Andrea Loebell-Buch arbeitet mit Kindern in vielen Ländern und tanzt in Deutschland.
Caroline Meyer Picard (choreographisches Konzept) wirkt als Tänzerin in internationalen Kompanien und entwickelt eigene Stücke, in denen sie ,die Verbindungsmöglichkeiten zwischen Tanz, Musik und Theater erforscht (www.carolinemeyerpicard.com).
Ruth Pulgram entwirft, von ihren Zeichnungen ausgehend, Installationen, Bühnenbilder und Kostüme. Ihr Ausdruck ist geprägt von vielen Reisen durch Europa, Asien und Afrika (www.ruthpulgram.net).
Yorgös Tambaktis inspiriert sich an seiner mediterranen Herkunft. Seine Suche organisiert sich um Zeit, Farbe und Geste. Er verwendet verschiedene Techniken, malt, macht Skulpturen und Performances in Frankreich (www.artmajeur.com/tambaktis-y).

MANNET L. VILLARIBA mannetsky@yahoo.com EMMANUEL MANNET L. VILLARIBA Artist CV As an inter-disciplinary artist, Mannet Villariba finds himself always drawn to a relentless interest in the live performance of visual imagery. This inner self-motivated leaning must have been linked to his toy-deprived childhood life yet with that constant fascination with science-fiction, art and technology. Technology had significantly influenced the content of his visual performances, and true enough, these demands have been met productively by the influx of open source accessibility for artists alike, keeping the programming of new graphics algorithms accessible to those seeking greater creative freedom. Interactivity mainly focused on sounds and visuals, have been the main thrust of his research as of the moment. Gradually adapting the virtual art space. Banking on unconventional 'open source applications'. This allows for greater control and goes beyond what is available. Allowing for the reformulation of the present medium into unique angles. Not only does it permits to modify but make use of other linked devices as well. Providing full access not only on virtual art space but to the tactile world as well.

His work exploits sound's visual property, its relation between cause and its effect or between regularly correlated events or phenomena with human perception and mathematical knowledge as music, time and space.

Mannet focuses on the visuals and sound interactivity. He relies heavily on what he hear and let this be his guiding tool to influence his actions. In his academic years he was particularly influenced by what he calls the Synaesthesia effect, wherein they interpret what they hear in a painterly manner. The idea that music is linked to visual art goes back to ancient Greece, when Plato first talked of tone and harmony in relation to art. This approach had somewhat made a great impact on him in his formative years in the art department. Evoking sound through sight and creating a painterly equivalent of a symphony that would stimulate not just the eyes but the ears as well.

Since 2005 he has been intensely active in sound art through collaboration, visual performances, new media art events, concerts, and installations, with the use of computer and digital technology to its limitless potentials, harnessing the audio visual modules for real time sound visualization.

The versatile range of his discipline is evident in his receiving the grand prize for the National Commission on the Culture and the Arts' - Websining National Digital Art Competion in 2007. As an active core member of Tupada Action and Media Art since 2006, Mannet regularly contributes and organizes local and international visual performance event.

hat durch Zufall Mitte der 80ger Jahre den Tanz als Ausdrucksform entdeckt und 1999 ihr erstes abendfüllendes Solo gezeigt. Nur durch die Unterstützung von wunderbaren LehrerInnen, u.a. Anzu Furukawa, ist Tanz eines ihrer Ausdrucksmittel geblieben. Sie macht vor allem Solo Improvisationen, aber auch Stücke wie „ a l l e i n“ und „... ich bin aus Versehen noch hier...“ das sie auf dem Hunger Internationales Performance Festival und am 27. und 28. Mai in der Tanzfabrik zeigen wird.

A Piece for the Crisis Time

The performance A Piece for the Crisis Time is build of two visual layers: video projection and live action.
The video layer contains video clips of works and statements by performance art classics and precursors, confronted with static video showing the view of the street outside my New York studio window.
The two kinds of video change in turns. The changes in projection are accompanied by simultaneous live action, consisting of moving and carrying small objects like shopping bags, light bulbs, papers and cans, across the stage.
The subject of the performance is my reaction to the surrounding crisis and inertia in the United States. They are confronted with European Union reality in the context of history of the performance art.

MFA Academy of Fine Arts in Krakow, Poland. He begun his first experiments with performance art in the early eighties and continued after moving to New York in 1985. Since 1981 has completed number of performances, individual and group shows, installations and multimedia works presented on five continents. Currently lives and works in New York and Krakow.
Member of Fort Sztuki and IAPAO art societes, Vice President of Kesher Foundation in Poland