|
The
Street Artist SP38 designed the Logo for
the Escape Festival. His actions accompany the whole
of the Festival with his Escape-rabbit campaign:
a postering action, before, during and after.) Like
rabbits , posters are everywhere in the city ...and
they multiply themselves , endless ...no way to
escape , escape from no way ?
The
Raft builders of the Bootschaft e.V. organization
built the Raft „Wackelberry“ which will
be restyled by berlin artists and jouth groups into
a „refugees raft“.
Das
multidisziplinäre Künstlerkollektiv Gogo
Trash (Deutschland) vereint visuelle und akustische
Installationen, die durch eindrucksvolle Choreographien
verdichtet werden. Die Gruppe, die aus langjähriger
Erfahrung schöpft, arbeitet mit Recycling-Materialien
und zaubert aus Abfallprodukten Kostüme und
Instrumente.
Die
Bildende - und Performancekünstlerin Alice
Masprone (Italien) stellt in ihrer Arbeit den
Körper in den Mittelpunkt der Spannung zwischen
Text und Raum. Sie lässt in ihren Präsentationen
Augenblicke, Bilder, Situationen entstehen, die
letztendlich in Infragestellungen ergeben.
Der
französische Performancekünstler Mathieu
Sylvestre widmet sich in seinen Arbeiten der
Bedeutung und Vielfalt der Noiseperformance. Mit
"Awake" präsentiert Sylvestre seine
neue Arbeit, die sich um das Bewusstsein sowie Chancen
und Einschränkungen, die mit Widerstand und
Flucht einhergehen, dreht.
Arianne
Foks (Frankreich)
präsentiert in Ihrer künstlerischen Arbeit
den Körper als Medium, in Beziehung zu Architektur
oder den "banalen" Dingen des Haushalts.
Ihre Arbeit hinterfragt Verlangen, Lust, Identität.
Die
experimentelle Plattform für Performancekunst
Invalid Address (Berlin) beschäftigt
sich in ihren multidisziplinären Präsentationen
kongruenten sowie widersprüchlichen Elementen,
die durch die Mischung verschiedener Ausdrucksweisen
entstehen: Köper, Audio, Installationen.
In
44 ist der Kurator des Festival, Michael Steger
mit Amy J Klement, beide von der Performunion Open
Space, zu sehen.
A
Symposium of the international guests, as
well as the Berlin artists, provides an opportunity
for the Press and Public to get to know each other
and pose questions about working processes,and political
and cultural conditions and challenges in different
areas of the world outside of the actual Performances..
Die
serbische Performancekünstlerin Ana Milovanovic
widmet sich vorrangig der Diskussion um Aspekte
politisch motivierter Präsentationen in der
Performancekunst. Milovanovic stützt sich hierbei
auf einen enormen Erfahrungsschatz, da sie seit
langem für „political performances“
auf internationaler Ebene bekannt ist.
Dovrat
Meron ist Kuratorin und Performerin. Sie wird
in der Diskussion durch Themenkomplexe führen,
die sich um individuelle Performances und konzeptionelle
Ambitionen von Künstlern drehen.
Meron ist Kuratorin des "Memory Space",
einem ortsspezifischen Performance-Kunst-Programms
der 53. Biennale in Venedig und graduiert derzeit
im "Raumstrategien" - Programm der KHB
Berlin.
Performer-Stammtisch,
(„the regulars table“, a german term borrowed
from the realm of gastronomy), juxtoposes artiistic
positions and live performances about the international
Live-Art and Performance-Art Scene. Since being
Founded in 2005, it has developed into a regular
meeting point for both Berlin and International
Performance Artists. Between 15 and 50 artists and
interessted guests come to the monthly meetings
in Berlin.
Merge
Into
Saskia Edens reflects the whole room as well
as her public with her mirrored costume. Minimal
movements transform the reflections of the room
into motion, you could even say, into fluidity.The
images resemble a discovery voyage into space with
creatures distorted by this mirroring.Standing in
opposition to one another, each face melts into
the other. What does one see from the other? And
what does one see from him/herself in the others?
Visual
and performance artist Travis McCoy Fuller
combines live sound performance and live action
performance with drawings, wall painting, printed
Art and the construction of experimental instruments.
His works have been shown extensively in the USA,
Europe and in South America
The
Performance, „ al-ways-this-be-yond“ by
Frederic Krauke accompanied by the sounds
of Mathieu Sylvestre combines interactive Performance,
Experimental Theater and Noise. The core of the
plot is the human essence in relation to the body
and the excessiveness of the „this“ and
the „hereafter“
Julie
Jaffrenou dedicates herself in her artistic
work, „Red Carnation“, with the help of
tools and materials, to the spiritual discrepancy
between the biologicaly human and the deformed human
body, through genetic or through physical tampering
or manipulation.
The
Skulptor, Performance and Installation Artist Poul.R.Weile
offers us his Performance, „The Art of
Dying/Flying (slowly)“. His work mirrors not
only the challenge of once again comprehending art,
but also re-examines the place of Art as a space
for communication and community discourse.
Lars
Crosby löst im Orphaeum die Grenze zwischen
Mensch und Maschine auf, dazu sind sowohl elektronisch
analog/digitale wie auch Orph'sche Instrumente (wie
Flöten Obertongesang, Dulzimer) im Einsatz.
Loops, Directrecording & Magic-Sound-Boxes bilden
mit Echoräumen den letzten Schliff.
The
Video Installation, „Flight to the Reunion-
absconding to a dreamy paradies“ from Pia Fernandez
(Spain) will be viewable throughout the duration
of the Festival days at BLO-Ateliers
Alfredo
Sciuto (Italy/Berlin), conceptualized a walk-in
installation; it´s animated and fragile form
is supported and maintaind merely by air presure.
Non
Grata (Diverse Universe, Estonia), is certainly
one of the most internationally recognized Artistic
Collectives in existence. The group has performed
world wide with its „Getto Marathons“,and
provokes the established world of art and mass media
with their radical commitment to ignorance. Non
Grata has existed as a Performance group in Estonia
since 1998 and has since then emerged into being
one of the most respected artistic collectives out
of the Baltic States. The group is comprised of
about 40 members of diverse nationality, and all
of them perform in the context of non Grata anonymously.
Crystal Tits presents their new performance
„Common Chorion“: The rare form of one-egged
twins, Siamese twins, occurs when the egg cells
fail to devide completely after the 13th day after
conception. It is understood, that Siamese twins
are capable of seeing with the eyes and of reading
the thoughts of one another. In many cases it is
not clear to differentiate where the body of the
one leaves off and the body of the other begins.
How can people who have a doubled identity with
ther own body understand this phenomenon?
The
Performances of the Artist, Gwendoline Robin
touch upon existential questions. She unveils with
her actions, which have an affect upon an extreme
form of sensitivity, the poetry of the moment.
Katastrofen
will be performed by Juana and Leire, ...two people
who are neither high nor low, fat nor thin, very
smart nor very dumm, but who have developed a sence
of Humor and Horror. And in this spirit, they are
laughing over themselves for 5 years, in theater
pieces, at street parties, and also in the streets.
The
Italian Performance group Teatro Cinque,
under the long term direction direction of Irina
Galli presents their performance „Fabre Mots“,
(Fabre´s Words, using less know writings from
the renowned choreographer Jan Fabre), -athleltical
dance-theater combining poetry and video art.The
relationship between word, picture, action and the
abstraction of gesture melts together with unusual
expressive results
The
Artist Philip Luddite dedicates his many
years of performance experience to human transformation
processes in the chaos of the world. Fueled by the
collective consciousness as well as universal Symbols,
Traditions and Rituals, he penetrates with his,,
„it´s all in your head“, into the
subconscious of humankind.
The
performance stromboli_terra di dio of Luna Winter
is a kind of self-test which plays with a system
of temporary inconsistencies. It is an interweaving
of timelines and a headlong dive into existing worlds
in order to dissolve them through interplays and
invoke a new creation. As “Pool-based”,
they are determinations and it is through artifice
that their liberation is embodied.
Das
schon legendäre Naked Kitchen, performt durch
Andreas Stadler und Michael Steger,
eine Performance in der es für alle Sinne etwas
Heises zu erfahren gibt, kommt nach Aufführungen
in Korea und Estland wieder nach Berlin zurück.
|
